Tuesday
Monday
Colour In The Garden
Does And Don't On Designing with Colour
Drive through any town or suburb and you will see many
plantings that apparently aim to include every possible colour imaginable, all
crammed together, with no thought at all for harmony, balance or indeed the colours and forms of
the adjacent or surrounding buildings.
You wouldn't buy a carpet in such a riot
of colours, but colour sense often literally flies out of the window when it
comes to exterior colour schemes.
As a very general rule, the more bland the architectural
backdrop the bolder your colour scheme can be and vice versa. If , for example
the building is a shade of grey, bright colours will work in your scheme.
New
red brick is a difficult foil for successful planting because the strong colour
of the brickwork dominates whatever is
close to it – and in a small garden that includes everything. Your course will teach colour theory, but even without that knowledge you should be able to recognise that purples
and vivid reds simply do not work against brick, even when if it is aged and
weathered.
Softer colours – pale yellows, cream, grey-greens and light blues look much better. Why? Because they
are cooler and complement the brickwork
rather than fighting it. Light peach, pink and apricot also work against red
brick, being watered down versions of the brick colour itself. However these
colours are more tricky to carry through into a broader planting scheme.
Even small changes of colour in your client's garden can make
a positive difference. Paint a plain garden shed , garden office or summer
house in an exact match or tone of one of the colours you will be using in your
planting plan.
It will immediately integrate into the overall scheme and look
cool and sophisticated. Likewise any timber structures such as fences, timber
seats and arbors will last longer and
act as a much more pleasing backdrop to planting if they are painted in soft
earthy colours such as a clay grey, slate blue or sage green.
For ideas try studying Farrow & Ball or
Fired Earth colour cards, both of which contain colour ranges that are ideal
for use in the soft light of the United Kingdom and other northern countries. The
vivid colours that work so well in the bright light of the Mediterranean or California are less
successful further north, with the exception of
some ultra modern inner city gardens.
Colours can be mixed and matched in a variety of finishes
such as exterior eggshell. There are several commercial wood stains and paints
available but be careful – unless you
are seeking a bold and vibrant effect some are still not subtle enough for use
over large areas and may need to be mixed or thinned.
Avoid gloss paint, it gives too sharp and
shiny a finish - and don't use a spray
gun as it may dribble through to the neighbouring side of the fence and cause a
dispute for which you don't want to be blamed!
More thoughts on colour in the garden will follow in future
blogs. In the mean time tell us what colours you like and dislike in the garden.
Article by Sue Hook
Article by Sue Hook
Tuesday
Designing For Wildlife
Creating a Balance of Horticulture and Ecology
The enemies of wild life gardens are mainly
domestic: cats, dogs and indifferent
humans who may have no interest in preserving a balanced eco-system. However wildlife gardens have enormous educational value for adults and children as long as
nature is not allowed to reclaim the entire garden.
Explore ideas with your clients.
Even if they are initially cautious it should be possible to have them agree to create at least one small
wild area within or at the edge of the garden. Start with one or more small
areas of lawn in a sunny or only partially shaded site. Inscribe a small circle, rectangle or square
of grass, in scale with and set inside the larger area of lawn.
Ensure the
mower can be comfortably manipulated around and between the shapes. Avoid
making it too busy, but if the lawn is large you might create a pattern of,
say, four neatly edged squares, or three circles of grass to be left to grow to
a maximum of 8 or 10 cms taller than the
remaining lawn.
These will quickly yield low-growing wildflowers such as
self-heal, a variety of grasses, daisies and buttercups. Even a tiny area will
attract bees and hoverflies. Visually it
will provide a change of rhythm to the close-cut, uneventful lawn space. Be
ruthless in removing invasive weeds such as docks and hogweed.
After they have set seed the mini wildflower
areas can be lightly mown, with the mower at its highest setting and then
retained as neatly defined areas of rough grass with late spring flowering
bulbs allowed to follow through. This introduces an entirely different look,
which is not wild but works well through late spring and early summer before
the grasses start to grow vigorously.
Plant short-stemmed tulips - I like to use a single colour - dotted
throughout the rough grass. Spring gales can easily snap the longer stems of
tall varieties and as they die down the leaves of taller plants are more
noticeable and unsightly. White, or pale yellow narcissi also look wonderful
scattered through rough grass.
Experiment. Plant mid-height nectar rich
flowering plants as plugs, ensuring continuity of food supply for insects. If
your clients prefer the grass to revert to normal lawn height the rough grass can
simply be mown and should quickly recover its normal colour with a little
general fertiliser added.
Wild flower habitats will be populated
surprisingly quickly by beneficial insects such as bees, ladybirds, hoverflies
and lacewings, butterflies, moths, small mammals and birds that will eat some
snails and slugs. If water is a part of the plan it will increase the range of
wildlife considerably, with the potential to attract amphibians such as frogs
and newts, exotic-looking dragonflies and even kingfishers.
Insect 'hotels' are readily available, but a
small pile of logs will do just as well. Leave a small patch of nettles in a
sunny corner, where a variety of butterflies can lay their eggs. Bird and bat
boxes will be used, as long as they are sited where local cats cannot reach
either the boxes or nearby bushes that provide initial safe resting places and
shelter for fledglings.
A wildflower meadow is a bigger undertaking and
is the subject of a future blog, together with suggested wild flowers to
include.
Article by Sue Hookwww.suehook.net
Article by Sue Hookwww.suehook.net
Sunday
What Is A Garden?
The Garden Defined
This question is so fundamental to learning
about design that it is worth looking at the instant image in your mind's eye
of a garden. I believe that on this design
learning curve you will shed many of
your pre-conceptions and open your mind and your eyes to a myriad of new
and exciting possibilities.
Gardens have been created all over the world for many hundreds of
years, arising from many different cultures. They have served and continue to
serve a multitude of purposes including
the provision of shade, cool air and the conservation of water in desert climates, as an expression of
wealth and opulence, as a place of contemplation and meditation, a restorative
space, a means of providing food and increasingly as an extension to the living
space in the home, incorporating some or all of the above.
Alhambra, Grenada |
A garden can be any exterior space that has
been made by humans rather than occurring naturally in the landscape. The
famous American garden designer Thomas Church observed that gardens are for
people. In essence, gardens demonstrate man's ability to impose order on and
thereby control nature.
A garden is always artificially contrived, whether or
not it attempts to recreate nature and even if it uses entirely natural props
such as plants or boulders, because these are selected, chosen for inclusion. It may use entirely artificial materials to
achieve the ambience and style desired by its maker.
Or it may redefine an
existing natural landscape, manipulating and enhancing it with the lightest and
most sensitive of touches. It may be
high on a rooftop, deep in a gulley, in the middle of a desert, on a housing
estate, or on a beach. It may be formal,
contemporary, naturalistic or traditional.
Derek Jarman's Dungeness garden |
It may be wholly or partially contained and
does not necessarily need to include plants, depending on its function and
aims. There is no minimum or maximum size to qualify as a garden. It can be
made on a tiny balcony, or in a miniscule courtyard (even in a stairwell, with
some light).
Or it may comprise several acres of managed and cultivated land.
It will frequently reflect the ethos, aspirations, interests, priorities,
culture and lifestyle of its owner.
Ian Hamilton Findlay's Scottish Garden |
There is no limit to the possibilities for
interpretation of the notion of a garden.
It may be well or badly designed, more or less pleasing aesthetically or
functionally, but it is still a garden, very often crying out to be rescued with
the help of an empathetic and sensitive designer. We can explore later how
important your contribution will become.
A garden may have multiple uses or a single
purpose for its existence.
Topher Delaney roof garden |
The successful realisation of any garden
depends significantly on its aspect, soil conditions and position. It may be
dry, damp, wet, shady, sunny, exposed, or all of these things. A well-designed
garden draws on every factor and turns them to advantage wherever possible,
accentuating the positive and minimising (sometimes eliminating) the
negative.
Every garden is completely unique in its
aspect, soil conditions and position.
A garden can evoke many moods. It may be
relaxing, calm and peaceful, exciting and vibrant, mysterious and
thought-provoking, witty and humorous.
The role of the designer is to make the
absolute most of a given space, whilst being realistic about its possibilities,
its limitations and potential costs, carefully respecting the client brief
while guiding your client towards the best possible outcome.
That will usually delight him or her as you
will be introducing ideas and solutions that they never would have thought
possible. The making of a garden is a challenge. It is not easy but it is
always exciting and you will never stop learning.
Gardens may aspire to recreate to scale
elemental natural forms such as mountains or waves, or they may, less grandly
provide a more intimate oasis of tranquility away from the bustle of the city,
the buzz of traffic and the tensions of workaday life.
An area of lawn edged by
flower beds, a brown, timber garden shed in the background, with a bike propped
up against it, some sort of path through the middle and maybe some children's
toys, a football, and a small sitting
space with a table and chairs. The whole contained by fences, hedges or walls.
This is just one of a myriad of examples of what might be thought to be 'the garden fence'.
I think it is exciting to explore and research
how and why gardens have been made and doing so will inform and inspire your
own progress into the amazing and challenging world of garden design.
Article by Sue Hook
Article by Sue Hook
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